A Master Study from Preston Blair's classic book; "How to Draw Animated Film Cartoons." Graphite and Colored Pencils in a Mole Skin Sketch Book.

A Master Study from the Famous Artist Cartoon Course Lesson 6 Anatomy.

A Master Study from the Famous Artist Cartoon Course Lesson 6 Anatomy.

A Master Study from Famous Artist Cartoon Course Lesson 6 Anatomy.

A Master Study from Preston Blair's Classic Book, "How to Draw Animated Film Cartons." Graphite and Colored Pencil in a Mole Skin Sketch Book.

A Master Study from Preston Blair's Classic Book, "How To Draw Animated Film Cartoons." Graphite in Mole Skin Sketch Book.

A Master Study from Preston Blair's Classic Book, "How to Draw Animated Film Cartoons." Graphite and Colored Pencils in a Mole Skin Sketch Book.

Master Study from Preston Blair's Classic Book How to Draw Animated Film Cartoons. Graphite and Prismacolor Pencils in a Mole Skin Sketch Book.

A Master Study from one of my all time favorite Comic Book Artist John Buscema. I was reading an interview last night in a comics magazine one of the current artists working on Conan today. In the interview the guy said he loves John Buscema's and Frank Frazetta's Conan but he purposely doesn't look at any of their stuff any more because he doesn't want it to influence his own take on the character and how he draws Conan currently. I thought that is the dumbest most innane idea I've ever heard of. First of all you can't do Conan better that Buscema or Frazetta they mastered it! You don't need to reinvent the wheel. In fact I would do the opposite and study all the Busceam and Frazetta Conan stuff I possibly had time for because that's how you do Conan! Only in comic books do you come across artist who when given an established character take it upon themselves to ignor all previous work go completely, off model and redisgn everything to the liking of their own ego. No wonder the industry is in shambles. Ok Rant over. This is Belit from Conan #72 pg 1 Prisma Colored Pencil and Graphite in a Sketch Cover Sketch Book.

Today I did a Master Study of John Buscema one of my all time favorite comic book artists. I have started a sketch book where in I will be doing nothing but masters studies of Women that he drew. Todays Drawing of Belit comes from Conan Number 88 Pg7.

A Master Study from John Buscema one of my favorite comic book artist of all time. I love the way Buscema would draw his women in Conan with this crazy hub cap looking bras / tops all the time. This is Belit from Conan #88 pg 1. I struggled with this one as I am still getting a handle on how to best color these drawings using colored pencils and markers. I don't particularly like the way this finish illustration turned out as far as the coloring goes but I will improve. Colored Pencils, Prisma Color Makers and Graphite in a Sketch Cover Sketch Book.

A Master Study from the Famous Artist Cartoon Course Lesson 6 "Anatomy." The purpose of this sketch is to learn how to conceptualize the female figure in large three dimensional shapes. Prisma Color Pencils and Markers in a Mole Skin Sketch Book.

A Master Study of The Famous Artist Cartoon Course Lesson 6 Anatomy. Graphite and Prisma Color Markers in a Mole Skin Sketch Book.

A Master Study from the Famous Artist Cartoon Course Lesson 6 Anatomy. Graphite and Prisma Color Pencil in a Mole Skin Sketch Book.

A Master Study from the Famous Artist Cartoon Course Lesson 6 Anatomy. Prisma Color Markers and Graphite.

A Master Study I did from John Buscema one of my favorite comic book artists of all time. This is Zenobia in Conan King Size Annual #4 pg. 38. The notes on the page I wrote from feed back to improve my coloring from my teacher Josef Rubinstein. Graphite, Colored Pencils and Prisma Color Markers in a Sketch Cover Sketch Book.

A Master Study from the Famous Artist Cartoon Course Lesson 6 Anatomy. Pencil and Prisma Color Makers in Mole Skin Sketch Book.